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The King of Masks, was directed by Wu Tianming, an influential Chinese director who died last year. Wu was a member of the Fourth Generation of Chinese Cinema (in relation to the birth of the People’s Republic of China) and was known for his “politically incorrect” films which clashed with the central government.
9/4/2018, · Martha Bayles teaches humanities at Boston College, is author of Through a Screen Darkly: Popular Culture, Public Diplomacy, and America's Image Abroad (Yale 2014), is a visiting fellow at the Hudson Institute, and a regular columnist for TAI.
The King of Masks,. Martha Bayles. The Chinese film director Wu Tianming was born in 1939, but because of the times that he lived through, he did not achieve prominence until the early 1980s, when he was made head of the Xian Film Studio in Shaanxi Province.
The King of Masks, is a tour de force, a rare movie where every character demands your full attention and you are happy to give it to them. It tells a simple story. The time is the 1930s, a period of political turmoil in the Sichuan province of China. Wang, ,the King of Masks, (Zhu Xu), is an elderly street performer, the last of his line, unhappily without an heir.
With the oblique correlations drawn between characters, and the nuances of their relationships, ,The King of Masks, is a masterpiece of subtlety and sentiment. Dialogue and pacing are mindfully crafted, drama is even-handed, and performances are sympathetic and sincere without being saccharine. A flawless film from start to finish.
Synopsis. Winner of more than 25 top honors at film festivals worldwide, revered Chinese director Wu Tianming's ,The King of Masks, is a poignant tale about a lonely old magician and a luckless child bound together by fate and suffering, and redeemed by the power of love. ,The King of Masks, is an elderly master of the Sichuan opera art of changing silk ,masks, so quickly that it appears to be …